La drammatizzazione dell’epica. Tra «Amadigi» e «Liberata»

The dramatization of epic poetry between Amadigi and Liberata · The study examines the stil- istic analogies and the intertextual references between the pathetic-eleciac episodes of Amadigi and Ge- rusalemme Liberata, identifying a common sensibility in dramatizing the nodal scenes of the poems. Therefore, it is analyzed the battle between lovers Alidoro-Mirinda and Tancredi-Clorinda; the invectives of abandoned Corisanda and Armida; and the lament of Lucilla and Licasta on the lifeless body of Ali- doro and Agelao in relation to the xiith and xixth cantos of Gerusalemme Liberata.