Publication Date:
2020
Short description:
Dion Chrisostomos und Euripides / Fornaro, Maria. - 83:(2020), pp. 153-176.
abstract:
Euripides is the Greek poet, after Homer, most quoted by Dio Chrysostom. In
the Imperial age tragedies and parts of tragedies were performed in theaters and in
other public and private places and the tragic myths were well known. Dio uses the
myths of Euripidean tragedies to attack the „false opinions“ (doxai, or. 11) of most
people, to give an educational message (orr. 8, 66, 32), recognising the usefulness of
Euripides for the education of the orator (or. 18). Although Dio attacks theater and
performances, he makes free use of Euripides (orr. 13, 17, 82) from the perspective of
morality and rhetoric. A special matter seems to be the tragic theme of Philoctetes
(or. 52), which Dio rewrites (or. 59), probably suggesting an autobiographical identification
with the protagonist of the lost Euripidean tragedy.
the Imperial age tragedies and parts of tragedies were performed in theaters and in
other public and private places and the tragic myths were well known. Dio uses the
myths of Euripidean tragedies to attack the „false opinions“ (doxai, or. 11) of most
people, to give an educational message (orr. 8, 66, 32), recognising the usefulness of
Euripides for the education of the orator (or. 18). Although Dio attacks theater and
performances, he makes free use of Euripides (orr. 13, 17, 82) from the perspective of
morality and rhetoric. A special matter seems to be the tragic theme of Philoctetes
(or. 52), which Dio rewrites (or. 59), probably suggesting an autobiographical identification
with the protagonist of the lost Euripidean tragedy.
Iris type:
2.1 Contributo in volume (Capitolo o Saggio)
Keywords:
Euripides; Dio of Prusa; greek Theater; greek Tragedy
List of contributors:
Fornaro, Maria
Book title:
Euripides-Rezeption in Kaiserzeit und Spaetantike
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