Il Prometeo di Elfriede Jelinek (:Peter sagt 2004)

In the monologue Peter sagt: (2004), Elfriede Jelinek uses the myth of Prometheus
in order to denounce the function of the media during the Second Gulf
War. The speaking voice (‘Peter’s’) belongs to a man who is tortured and killed, and
whose body (like Prometheus’) is bound to a bridge in Fallujah. The chained body is
photographed in that position and so delivered to the unstable eternity of the web.
The voice of Peter tells us of the decline of humanity and of the replacement of facts
with their images (photographs, video). Jelinek’s monologue contrasts, ironically,
with Goethe’s hymn to Prometheus (1794), which celebrates the autonomy of man
and his emancipation. This article examines Jelinek’s work on the following topics:
1. the Greek myth of Prometheus as an archetypal image of violence; 2. the tragedy
‘Prometheus Bound’ by Aeschylus, 3. the Aristotelian notion of ‘katharsis’ in the age
of the media, when the torture at Abu Ghraib has become entertainment.