Il cinema su "Noi donne". Spettatrici, militanti e educazione politica nell`Italia del dopoguerra

From the examination of the first ten years of the magazine «Noi donne» (1944-1954), the essay marks the role of cinema in the editorial line and policy of UDI magazine. The weekly magazine has a well crafted com- municative strategy, which from one side uses cinema and its paratexts to attract the reader-spectator and on the other addresses the debate on the film in an ideological and markedly committed key.