Publication Date:
2016
Short description:
‘Catharsis’. From Lessing’s Moral
Purification to Goethe’s Purity of Form / Fornaro, Maria. - In: SKENÈ. JOURNAL OF THEATRE AND DRAMA STUDIES. - ISSN 2421-4353. - II:1(2016), pp. 151-176. [10.13136/sjtds.v2i1.56]
abstract:
The present essay addresses Goethe’s interpretation of ‘catharsis’. Goethe reacted to
a moral interpretation of catharsis (propounded by a long line of critics from Brumoy
to Lessing) by maintaining that Aristotle understood catharsis as an artistic process
only. In his opinion, catharsis was a kind of ultimate effect that, while not acting
on the spectators’ morality, certainly affected their satisfaction and contentment and
was, in fact, the necessary fulfilment of any well-structured and consistent tragedy. In
addition, Goethe conceived the act of writing poetry itself as a cathartic process; this
entails that a “purged” work of art is also the outcome of an ideal Classicism. Indeed,
the attainment of “pure” poetic forms is the main topic over which Goethe and Schiller
debated in their correspondence.
a moral interpretation of catharsis (propounded by a long line of critics from Brumoy
to Lessing) by maintaining that Aristotle understood catharsis as an artistic process
only. In his opinion, catharsis was a kind of ultimate effect that, while not acting
on the spectators’ morality, certainly affected their satisfaction and contentment and
was, in fact, the necessary fulfilment of any well-structured and consistent tragedy. In
addition, Goethe conceived the act of writing poetry itself as a cathartic process; this
entails that a “purged” work of art is also the outcome of an ideal Classicism. Indeed,
the attainment of “pure” poetic forms is the main topic over which Goethe and Schiller
debated in their correspondence.
Iris type:
1.1 Articolo in rivista
Keywords:
Mimesis, Goethe, Schiller, Classicismo, Poetica di Aristotele
List of contributors:
Fornaro, Maria
Published in: